Nineteenth-century writers, artists, readers, and theater-goes were fascinated by stories of death and mourning—especially of a young and beautiful woman. Famous poet and essayist, Edgard Allan Poe, was also fascinated with this, in fact, almost all of his poems have this topic. He asserted that "The death of a beautiful woman, is unquestionably the most poetical topic in the world." Death of Elaine by Thomas Hovenden, 1882. There has been a long-standing philosophical problem of how tragic representations of suffering and death, especially of a beautiful woman, can arouse aesthetic pleasure and fascination. But why does this hold so much appeal and fascination to people? Death is often given the role of providing a sense of closure in written narratives and theatrical performances, for it is an act of greater finality and completeness than any other. As a writer quoted, "Death is the sanction of everything which the storyteller can tell. The death of